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  • 阅读理解A
    题干:WetendtothinkofthedecadesimmediatelyfollowingWorldWarIIasatimeofprosperityandgrowth,withsoldiersreturninghomebythemillions,goingofftocollegeontheG.I.Billandliningupatthemarriagebureaus.Butwhenitcametotheirhouses,itwasatimeofcommonsenseandabeliefthatlesscouldtrulybemore.DuringtheDepressionandthewar,Americanshadlearnedtolivewithless,andthatrestraint,incombinationwiththepostwarconfidenceinthefuture,madesmall,efficienthousingpositivelystylish.Economicconditionwasonlyastimulusforthetrendtowardefficientliving.Thephrase“lessismore”wasactuallyfirstpopularizedbyaGerman,thearchitectLudwigMiesvanderRohe,wholikeotherpeopleassociatedwiththeBauhaus,aschoolofdesign,emigratedtotheUnitedStatesbeforeWorldWarIIandtookuppostsatAmericanarchitectureschools.ThesedesignerscametoexertenormousinfluenceonthecourseofAmericanarchitecture,butnonemoresothanMies.Mies’signaturephrasemeansthatlessdecoration,properlyorganized,hasmoreimpactthanalot.Elegance,hebelieved,didnotderivefromabundance.Likeothermodernarchitects,heemployedmetal,glassandlaminatedwood—materialsthatwetakeforgrantedtodaybutthatinthe1940ssymbolizedthefuture.Mies’sophisticatedpresentationmaskedthefactthatthespaceshedesignedweresmallandefficient,ratherthanbigandoftenempty.TheapartmentsintheeleganttowersMiesbuiltonChicago’sLakeShoreDrive,forexample,weresmaller—two-bedroomunitsunder1,000squarefeet—thanthoseintheirolderneighborsalongthecity’sGoldCoast.Buttheywerepopularbecauseoftheirairyglasswalls,theviewstheyaffordedandtheeleganceofthebuildings’detailsandproportions,thearchitecturalequivalentoftheabstractartsopopularatthetime.Thetrendtoward“less”wasnotentirelyforeign.Inthe1930sFrankLloydWrightstartedbuildingmoremodestandefficienthouses—usuallyaround1,200squarefeet—thanthespreadingtwo-storyoneshehaddesignedinthe1890sandtheearly20thcentury.The“CaseStudyHouses”commissionedfromtalentedmodernarchitectsbyCaliforniaArts&Architecturemagazinebetween1945and1962wereyetanotherhomegrowninfluenceonthe“lessismore”trend.Aestheticeffectcamefromthelandscape,newmaterialsandforthrightdetailing.InhisCaseStudyHouse,RalphRapsonmayhavemispredictedjusthowthemechanicalrevolutionwouldimpacteverydaylife—fewAmericanfamiliesacquiredhelicopters,thoughmosteventuallygotclothesdryers—buthisbeliefthatself-sufficiencywasbothdesirableandinevitablewaswidelyshared.
    题目: What can we learn about the design of the “Case Study House”?()
  • A 、Mechanical devices were widely used
  • B 、Natural scenes were taken into consideration
  • C 、Details were sacrificed for the overall effect
  • D 、Eco-friendly materials were employed

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参考答案

【正确答案:B】

A. 机械装置得以广泛应用;B. 自然景观得以考虑;C. 为整体效果而牺牲了细节;D. 采用了环保材料
最后一段第二句话Aesthetic effect came from the landscape, new materials and forthright detailing.(审美效果来自于自然景色,新材料的运用和明了的细节设计)可见B答案正确。
A没有提及,C与文意相反,新材料不等于环保材料,故D错误。

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