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  • 阅读理解A
    题干:WetendtothinkofthedecadesimmediatelyfollowingWorldWarIIasatimeofprosperityandgrowth,withsoldiersreturninghomebythemillions,goingofftocollegeontheG.I.Billandliningupatthemarriagebureaus.Butwhenitcametotheirhouses,itwasatimeofcommonsenseandabeliefthatlesscouldtrulybemore.DuringtheDepressionandthewar,Americanshadlearnedtolivewithless,andthatrestraint,incombinationwiththepostwarconfidenceinthefuture,madesmall,efficienthousingpositivelystylish.Economicconditionwasonlyastimulusforthetrendtowardefficientliving.Thephrase“lessismore”wasactuallyfirstpopularizedbyaGerman,thearchitectLudwigMiesvanderRohe,wholikeotherpeopleassociatedwiththeBauhaus,aschoolofdesign,emigratedtotheUnitedStatesbeforeWorldWarIIandtookuppostsatAmericanarchitectureschools.ThesedesignerscametoexertenormousinfluenceonthecourseofAmericanarchitecture,butnonemoresothanMies.Mies’signaturephrasemeansthatlessdecoration,properlyorganized,hasmoreimpactthanalot.Elegance,hebelieved,didnotderivefromabundance.Likeothermodernarchitects,heemployedmetal,glassandlaminatedwood—materialsthatwetakeforgrantedtodaybutthatinthe1940ssymbolizedthefuture.Mies’sophisticatedpresentationmaskedthefactthatthespaceshedesignedweresmallandefficient,ratherthanbigandoftenempty.TheapartmentsintheeleganttowersMiesbuiltonChicago’sLakeShoreDrive,forexample,weresmaller—two-bedroomunitsunder1,000squarefeet—thanthoseintheirolderneighborsalongthecity’sGoldCoast.Buttheywerepopularbecauseoftheirairyglasswalls,theviewstheyaffordedandtheeleganceofthebuildings’detailsandproportions,thearchitecturalequivalentoftheabstractartsopopularatthetime.Thetrendtoward“less”wasnotentirelyforeign.Inthe1930sFrankLloydWrightstartedbuildingmoremodestandefficienthouses—usuallyaround1,200squarefeet—thanthespreadingtwo-storyoneshehaddesignedinthe1890sandtheearly20thcentury.The“CaseStudyHouses”commissionedfromtalentedmodernarchitectsbyCaliforniaArts&Architecturemagazinebetween1945and1962wereyetanotherhomegrowninfluenceonthe“lessismore”trend.Aestheticeffectcamefromthelandscape,newmaterialsandforthrightdetailing.InhisCaseStudyHouse,RalphRapsonmayhavemispredictedjusthowthemechanicalrevolutionwouldimpacteverydaylife—fewAmericanfamiliesacquiredhelicopters,thoughmosteventuallygotclothesdryers—buthisbeliefthatself-sufficiencywasbothdesirableandinevitablewaswidelyshared.
    题目: The postwar American housing style largely reflected the Americans’().
  • A 、prosperity and growth
  • B 、efficiency and practicality
  • C 、restraint and confidence
  • D 、 pride and faithfulness

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参考答案

【正确答案:C】

A. 繁荣与成长;B. 高效与实用;C. 克制与自信;D. 自豪与忠诚
文章第二段“....and that restraint, in combination with the postwar confidence in the future, made small, efficient housing positively stylish”(这种克制以及战后对未来的自信造就了小而实用的住房风格。反推回去,战后美国住房风格反映了美国人的自信与克制。故C为正确答案。

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