- 阅读理解B
题干:EmerginginthelateSixtiesandreachingapeakintheSeventies,LandArtwasoneofarangeofnewforms,includingBodyArt,PerformanceArt,ActionArtandInstallationArt,whichpushedartbeyondthetraditionalconfinesofthestudioandgallery.Ratherthanportrayinglandscape,landartistsusedthephysicalsubstanceofthelanditselfastheirmedium.TheBritishlandart,typifiedbyRichardLong'spiece,wasnotonlymoredomesticallyscaled,butalotquirkierthanitsAmericancounterpart.Indeed,whileyoumightassumethatanexhibitionofLandArtwouldconsistonlyofrecordsofworksratherthantheworksthemselves,Long'sphotographofhisworkisthework.Sincehis"action"isinthepastthephotographisitssoleembodiment.Thatmightseemratheranobscurepoint,butitsetsthetoneforanexhibitionthatcontainsalotofblack-and-whitephotographsandrelativelyfewnaturalobjects.LongisBritain'sbest-knownLandArtistandhisStoneCircle,aperfectringofpurplishrocksfromPortisheadbeachlaidoutonthegalleryfloor,representstheelegant,rarefiedsideoftheform.TheBoyleFamily,ontheotherhand,standforitsdirty,urbanaspect.ComprisingartistsMarkBoyleandJoanHillsandtheirchildren,theyrecreatedrandomsectionsoftheBritishlandscapeongallerywalls.TheirOlafStreetStudy,asquareofbrick-strewnwasteground,isoneofthefewworksheretoembracethecommonplacenessthatcharacterizesmostofourexperienceofthelandscapemostofthetime.Parksfeature,particularlyintheearlierworks,suchasJohnHilliard'sveryfunnyAcrossthePark,inwhichalong-hairedstrollerisvariouslysmiledatbyaprettygirlandunwittinglyassaultedinasequenceofimagesthatturnouttobedifferentpartsofthesamephotograph.GenerallyhoweverBritishlandartistspreferredtogetawayfromtowns,gravitatingtowardslandscapesthataretraditionallyconsideredbeautifulsuchastheLakeDistrictortheWiltshireDowns.Whileitprobablywasn'tapparentatthetime,muchofthisworkispermeatedbyaspiritofromanticescapismthatthelikesofWordsworthwouldhavereadilyunderstood.DerekJarman'syellow-tintedfilmTowardsAvebury,acollectionoflong,mostlystillshotsoftheWiltshirelandscape,evokesatraditionofEnglishlandscapepaintingstretchingfromSamuelPalmertoPaulNash.InthecaseofHamishFulton,youcan'thelpfeelingthattheScottishartisthassimplyfoundawayofmakinghisloveofwalkingpay.Atypicalwork,suchasSevenDays,consistsofasinglebeautifulblack-and-whitephotographtakenonanepicwalk,withthemileageandnumberofdaystakenlistedbeneath.BritishLandArtasshowninthiswellselected,butrelativelymodestlyscaledexhibitionwasn'taboutimposingonthelandscape,moreakindoflandscape-orientatedlightconceptualartcreatedpassingthrough.Ithaditsoriginsinthegreatoutdoors,buttheresultswereasgallery-boundasthepaintingsofTurnerandConstable.
题目:Across the Park - A 、originates from a long walk that the artist took
- B 、 illustrates a kind of landscape-orientated light conceptual art
- C 、reminds people of the English landscape painting tradition
- D 、represents the elegance of the British land art
- E 、depicts the ordinary side of the British land art
- 、embodies a romantic escape into the Scottish outdoors
- 、contains images from different parts of the same photograph
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参考答案
【正确答案:7】
本文第五段“Parks feature,particularly in the earlier works, such as John Hilliard’s very funny Across the Park, in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph。G选项与原文信息吻合,是对原文的复现,故答案选G。
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- A 、originates from a long walk that the artist took.
- B 、illustrates a kind of landscape-orientated light conceptual art.
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