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  • 阅读理解A
    题干:WetendtothinkofthedecadesimmediatelyfollowingWorldWarIIasatimeofprosperityandgrowth,withsoldiersreturninghomebythemillions,goingofftocollegeontheG.I.Billandliningupatthemarriagebureaus.Butwhenitcametotheirhouses,itwasatimeofcommonsenseandabeliefthatlesscouldtrulybemore.DuringtheDepressionandthewar,Americanshadlearnedtolivewithless,andthatrestraint,incombinationwiththepostwarconfidenceinthefuture,madesmall,efficienthousingpositivelystylish.Economicconditionwasonlyastimulusforthetrendtowardefficientliving.Thephrase“lessismore”wasactuallyfirstpopularizedbyaGerman,thearchitectLudwigMiesvanderRohe,wholikeotherpeopleassociatedwiththeBauhaus,aschoolofdesign,emigratedtotheUnitedStatesbeforeWorldWarIIandtookuppostsatAmericanarchitectureschools.ThesedesignerscametoexertenormousinfluenceonthecourseofAmericanarchitecture,butnonemoresothanMies.Mies’signaturephrasemeansthatlessdecoration,properlyorganized,hasmoreimpactthanalot.Elegance,hebelieved,didnotderivefromabundance.Likeothermodernarchitects,heemployedmetal,glassandlaminatedwood—materialsthatwetakeforgrantedtodaybutthatinthe1940ssymbolizedthefuture.Mies’sophisticatedpresentationmaskedthefactthatthespaceshedesignedweresmallandefficient,ratherthanbigandoftenempty.TheapartmentsintheeleganttowersMiesbuiltonChicago’sLakeShoreDrive,forexample,weresmaller—two-bedroomunitsunder1,000squarefeet—thanthoseintheirolderneighborsalongthecity’sGoldCoast.Buttheywerepopularbecauseoftheirairyglasswalls,theviewstheyaffordedandtheeleganceofthebuildings’detailsandproportions,thearchitecturalequivalentoftheabstractartsopopularatthetime.Thetrendtoward“less”wasnotentirelyforeign.Inthe1930sFrankLloydWrightstartedbuildingmoremodestandefficienthouses—usuallyaround1,200squarefeet—thanthespreadingtwo-storyoneshehaddesignedinthe1890sandtheearly20thcentury.The“CaseStudyHouses”commissionedfromtalentedmodernarchitectsbyCaliforniaArts&Architecturemagazinebetween1945and1962wereyetanotherhomegrowninfluenceonthe“lessismore”trend.Aestheticeffectcamefromthelandscape,newmaterialsandforthrightdetailing.InhisCaseStudyHouse,RalphRapsonmayhavemispredictedjusthowthemechanicalrevolutionwouldimpacteverydaylife—fewAmericanfamiliesacquiredhelicopters,thoughmosteventuallygotclothesdryers—buthisbeliefthatself-sufficiencywasbothdesirableandinevitablewaswidelyshared.
    题目: What is true about the apartments Mies built on Chicago’s Lake Shore Drive?()
  • A 、They ignored details and proportions
  • B 、 They were built with materials popular at that time
  • C 、They were more spacious than neighboring buildings
  • D 、They shared some characteristics of abstract art

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【正确答案:D】

A. 它们忽略了细节和比例;B. 它们采用了当时流行的建筑材料;C. 它们比周围的建筑空间更大;D. 它们具有抽象艺术的一些特征
文章第五段中Mies建的房子比周围建筑更小,以其通风玻璃墙,景色及细节和比例中的优雅而流行,这些特点与当时的抽象艺术等同。故答案为D。

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