- 阅读理解B
题干：EmerginginthelateSixtiesandreachingapeakintheSeventies，LandArtwasoneofarangeofnewforms，includingBodyArt，PerformanceArt，ActionArtandInstallationArt，whichpushedartbeyondthetraditionalconfinesofthestudioandgallery.Ratherthanportrayinglandscape,landartistsusedthephysicalsubstanceofthelanditselfastheirmedium.TheBritishlandart，typifiedbyRichardLong'spiece，wasnotonlymoredomesticallyscaled，butalotquirkierthanitsAmericancounterpart.Indeed，whileyoumightassumethatanexhibitionofLandArtwouldconsistonlyofrecordsofworksratherthantheworksthemselves,Long'sphoto-graphofhisworkisthework.Sincehis“action”isinthepast,thephotographisitssoleembodiment.Thatmightseemratheranobscurepoint,butitsetsthetoneforanexhibitionthatcontainsalotofblack-and-whitephotographsandrelativelyfewnaturalobjects.LongisBritain'sbest-knownLandArtistandhisStoneCircle，aperfectringofpurplishrocksfromPortisheadbeachlaidoutonthegalleryfloor,representstheelegant,rarefiedsideoftheform.TheBoyleFamily,ontheotherhand,standforitsdirty,urbanaspect.ComprisingartistsMarkBoyleandJoanHillsandtheirchildren’theyrecreatedrandomsectionsoftheBritishlandscapeongallerywalls.TheirOlafStreetStudy，asquareofbrick-strewnwasteground,isoneofthefewworksheretoembracethecommonplacenessthatcharacterisesmostofourexperienceofthelandscapemostofthetime.Parksfeature，particularlyintheearlierworks，suchasJohnHilliard'sveryfunnyAcrossthePark，inwhichalong-hairedstrollerisvariouslysmiledatbyaprettygirlandunwittinglyassaultedinasequenceofimagesthatturnouttobedifferentpartsofthesamephotograph.GenerallyhoweverBritishlandartistspreferredtogetawayfromtowns，gravitatingtowardslandscapesthataretraditionallyconsideredbeautifulsuchastheLakeDistrictortheWiltshireDowns.Whileitprobablywasn'tapparentatthetime，muchofthisworkispermeatedbyaspiritofromanticescapismthatthelikesofWordsworthwouldhavereadilyunderstood.DerekJarman'syellow-tintedfilmTowardsAvebury，acollectionoflong,mostlystillshotsoftheWiltshirelandscape，evokesatraditionofEnglishlandscapepaintingstretchingfromSamuelPalmertoPaulNash.InthecaseofHamishFulton，youcan'thelpfeelingthattheScottishartisthassimplyfoundawayofmakinghisloveofwalkingpay.Atypicalwork，suchasSevenDays，consistsofasinglebeautifulblack-and-whitephotographtakenonanepicwalk,withthemileageandnumberofdaystakenlistedbeneath.BritishLandArtasshowninthiswellselected,butrelativelymodestlyscaledexhibitionwasn'taboutimposingonthelandscape，moreakindoflandscape-orientatedlightconceptualartcreatedpassingthrough.Ithaditsoriginsinthegreatoutdoors,buttheresultswereasgallery-boundasthepaintingsofTurnerandConstable.
题目：Seven Dars - A 、originates from a long walk that the artist took.
- B 、illustrates a kind of landscape-orientated light conceptual art.
- C 、reminds people of the English landscape painting tradition.
- D 、represents the elegance of the British land art.
- E 、depicts the ordinary side of the British land art.
- 、embodies a romantic escape into the Scottish outdoors.
- 、contains images from different parts of the same photograph.
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参考答案【正确答案：A】
根据信号词Seven Days定位到末段。根据第二句A typical work，such as Seven Days，consists of a single beautiful black-and-white photograph taken on an epic walk…，可知 A 选项为正确答案。a long walk 对应文中的 an epic walk。由 consists of a… photograph taken on anepic walk可知，这部作品由在一张在长途跋涉中拍摄的照片组成，即这部作品源自于艺术家的长途跋涉。
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- 2 【阅读理解B】Seven days
- A 、originates from a long walk that the artist took
- B 、 illustrates a kind of landscape-orientated light conceptual art
- C 、reminds people of the English landscape painting tradition
- D 、represents the elegance of the British land art
- E 、depicts the ordinary side of the British land art
- 、embodies a romantic escape into the Scottish outdoors
- 、contains images from different parts of the same photograph
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