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五、戒结构单调，组合生硬“拉郎配”

由于汉英结构不同，表达方式迥异，“硬性翻译”不仅读起来别扭，而且会闹出笑话。这就要求译者在翻译时灵活使用整合的技巧，将句子整合，凸显汉语中所隐含的层次，补充所缺失的成分。有时要将简单句译成并列句，有时将并列句译成主从句。

在纪念大学毕业20周年聚会时，我忽然问起原来的班主任：“我个子又不矮，怎么把我安排在了第一排呢?”

At the reunionpartyfor 20 anniversary of graduation from university, I suddenly asked my former teacher in charge of our class then:" Since I am not of short stature, how did you arrange me at the first row?"

一个高度近视的女博士去擦鞋店擦高统靴，秃头老板亲自蹲下来给她效劳。

When a woman doctor who suffers a severe myopic went to shoes-polishing shop for her buskins，the bald boss squatted down to serve her personally.

六、戒“愚忠”，不谙增减之道

我们耳熟能详的东西外国人可能会感到一头雾水，译者需要增加必要的说明和补充或者减译。否则，外国人会不知所云。毕竟，汉译英，最终是给外国人看的。

例如：风水

fengshui——the location of a house or tomb, supposed to have an influence on the fortune of a family.

七、戒语句重复

汉语多重复，以强化语气;英语则要尽量避免重复。

王曰：“此鸟不飞则已，一飞冲天;不鸣则已，一鸣惊人。”

"The bird may not have flown yet", replied the King,"Once it does, it will soar to the sky. I may not have cried out yet, but once it does, it will startle everyone."

(杨宪益译《史记-滑稽列传》)

中国人也好，外国人也好，死人也好，活人也好，对的就是对的，不对的就是不对的。

What is right is right and what is wrong is wrong, no matter what it concerns, the Chinese or foreigners, the dead or the living.

八、戒另起炉灶，走失精气神

译文要力求其“信”，尽可能契合汉语原来句子的气势、情绪和结构。

例如，元朝人王实甫写下了《西厢记》，张雪静改编后并作了翻译——

掏出张生那封信，回头环视，见梳妆台上的梳妆盒，眼睛一转，心里说有了，将信放了进去，合上盖时故意压了一角露在外面。

Rose took out Zhang\'s letter, she thought, "It would be better to put it in her make-up case, and letter find it herself." So she put the letter in the case, leaving a corner of it sticking out, so that it would be quickly noticed.

不难看出，译文与原文相去甚远，互不吻合，成了“两张皮”。

你已经死在过深的怨愤里了吗?

死?不，不，我还活着——

请给我以火，给我以火!

Have you perished in this deep rancor and bitterness?

Death? No, no. I’m still alive.

Please give me a light, give me a light!

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