- 阅读理解B
题干：EmerginginthelateSixtiesandreachingapeakintheSeventies，LandArtwasoneofarangeofnewforms，includingBodyArt，PerformanceArt，ActionArtandInstallationArt，whichpushedartbeyondthetraditionalconfinesofthestudioandgallery.Ratherthanportrayinglandscape,landartistsusedthephysicalsubstanceofthelanditselfastheirmedium.TheBritishlandart，typifiedbyRichardLong'spiece，wasnotonlymoredomesticallyscaled，butalotquirkierthanitsAmericancounterpart.Indeed，whileyoumightassumethatanexhibitionofLandArtwouldconsistonlyofrecordsofworksratherthantheworksthemselves,Long'sphoto-graphofhisworkisthework.Sincehis“action”isinthepast,thephotographisitssoleembodiment.Thatmightseemratheranobscurepoint,butitsetsthetoneforanexhibitionthatcontainsalotofblack-and-whitephotographsandrelativelyfewnaturalobjects.LongisBritain'sbest-knownLandArtistandhisStoneCircle，aperfectringofpurplishrocksfromPortisheadbeachlaidoutonthegalleryfloor,representstheelegant,rarefiedsideoftheform.TheBoyleFamily,ontheotherhand,standforitsdirty,urbanaspect.ComprisingartistsMarkBoyleandJoanHillsandtheirchildren’theyrecreatedrandomsectionsoftheBritishlandscapeongallerywalls.TheirOlafStreetStudy，asquareofbrick-strewnwasteground,isoneofthefewworksheretoembracethecommonplacenessthatcharacterisesmostofourexperienceofthelandscapemostofthetime.Parksfeature，particularlyintheearlierworks，suchasJohnHilliard'sveryfunnyAcrossthePark，inwhichalong-hairedstrollerisvariouslysmiledatbyaprettygirlandunwittinglyassaultedinasequenceofimagesthatturnouttobedifferentpartsofthesamephotograph.GenerallyhoweverBritishlandartistspreferredtogetawayfromtowns，gravitatingtowardslandscapesthataretraditionallyconsideredbeautifulsuchastheLakeDistrictortheWiltshireDowns.Whileitprobablywasn'tapparentatthetime，muchofthisworkispermeatedbyaspiritofromanticescapismthatthelikesofWordsworthwouldhavereadilyunderstood.DerekJarman'syellow-tintedfilmTowardsAvebury，acollectionoflong,mostlystillshotsoftheWiltshirelandscape，evokesatraditionofEnglishlandscapepaintingstretchingfromSamuelPalmertoPaulNash.InthecaseofHamishFulton，youcan'thelpfeelingthattheScottishartisthassimplyfoundawayofmakinghisloveofwalkingpay.Atypicalwork，suchasSevenDays，consistsofasinglebeautifulblack-and-whitephotographtakenonanepicwalk,withthemileageandnumberofdaystakenlistedbeneath.BritishLandArtasshowninthiswellselected,butrelativelymodestlyscaledexhibitionwasn'taboutimposingonthelandscape，moreakindoflandscape-orientatedlightconceptualartcreatedpassingthrough.Ithaditsoriginsinthegreatoutdoors,buttheresultswereasgallery-boundasthepaintingsofTurnerandConstable.
题目：Across the Park - A 、originates from a long walk that the artist took.
- B 、illustrates a kind of landscape-orientated light conceptual art.
- C 、reminds people of the English landscape painting tradition.
- D 、represents the elegance of the British land art.
- E 、depicts the ordinary side of the British land art.
- 、embodies a romantic escape into the Scottish outdoors.
- 、contains images from different parts of the same photograph.
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参考答案【正确答案：7】
根据信号词 Across the Park 定位到第五段。根据… Across the Park, in which a longhaired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph，可知 G 选项为正确答案。contains对应文中的 in which, images from different parts of the same photograph 对应文中的 asequence of images that turn out to be different parts of the same photograph 。
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- B 、 illustrates a kind of landscape-orientated light conceptual art
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- A 、his son was not as thrilled by the roller coaster ride as expected
- B 、his son blasted through the turns and loops with his face stretched
- C 、his son appeared distressed but calm while riding the roller coaster
- D 、his son could keep his balance so well on the fast moving roller coaster
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